DIY History | Transcribe | Iowa Women’s Lives: Letters and Diaries | Eve Drewelowe autobiographical writing, 1980s

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Eve Drewelowe autobiographical writing, 1980s

Page 3 Front

I am a dedicated artist. 
I am [particularly?] concerned with color. How vibrant, how alive, how [surging?] can [any?] color be when [illegible] to another?
I am concerned with [hue?], repetitive [hue?]. like [illegible] notes beating out rhythm.
I am equally concerned with shapes [and] forms that are [illegible]. How for may they depart from that with which [we?] are familiar from visual [experience/expression?]?
I like to get involved in and explore all kinds of materials and approaches in my work. My [exhilaration?] will consequently reflect multiple individual approaches, [illegible] unorthodox methods.
In all my work I attempt to [pose?] new challenging problems to [illegible] new experiences.
In each painting's I attempt to integrate [live/love?], color, pattern [and?] form into a unified complete whole in which there is any interplay of moving working [illegible] [and] [illegible]

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I am a dedicated artist. I am [particularly?] concerned with color. How vibrant, how alive, how [surging?] can [any?] color be when [illegible] to another? I am concerned with [hue?], repetitive [hue?]. like [illegible] notes beating out rhythm. I am equally concerned with shapes [and] forms that are [illegible]. How for may they depart from that with which [we?] are familiar from visual [experience/expression?]? I like to get involved in and explore all kinds of materials and approaches in my work. My [exhilaration?] will consequently reflect multiple individual approaches, [illegible] unorthodox methods. In all my work I attempt to [pose?] new challenging problems to [illegible] new experiences. In each painting's I attempt to integrate [live/love?], color, pattern [and?] form into a unified complete whole in which there is any interplay of moving working [illegible] [and] [illegible]