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Eve Drewelowe autobiographical writing, 1980s
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[Intensity?] is all well and good but [I am not (crossed out)] there - there is something else - is [also the (crossed out)] tender touch of [illegible] [love of doing (crossed out)], the caress [of the (crossed out)] in the doing that, I am convinced is more profound, and will may enjoy a longer-lived - (love of doing, joy of building and [enduring (crossed out)] structure supersedes [sic] it - Putting it another way, I am convinced, lacking involvement these (omissions, [illegible], +[illegible]) merely outward superficial [illegible] [of living today (crossed out)] of expression, and not necessarily the values of all-time, living ever art - It is not the ommissions [sic] that make a painting [but (crossed out)] the content of [a painting that count (crossed out)] - ad content is often sadly not discernable in contemporary art -
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[Intensity?] is all well and good but [I am not (crossed out)] there - there is something else - is [also the (crossed out)] tender touch of [illegible] [love of doing (crossed out)], the caress [of the (crossed out)] in the doing that, I am convinced is more profound, and will may enjoy a longer-lived - (love of doing, joy of building and [enduring (crossed out)] structure supersedes [sic] it - Putting it another way, I am convinced, lacking involvement these (omissions, [illegible], +[illegible]) merely outward superficial [illegible] [of living today (crossed out)] of expression, and not necessarily the values of all-time, living ever art - It is not the ommissions [sic] that make a painting [but (crossed out)] the content of [a painting that count (crossed out)] - ad content is often sadly not discernable in contemporary art -
Iowa Women’s Lives: Letters and Diaries
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