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Fantasy Fan, v. 1, issue 8, April 1934
Page 124
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124 THE FANTASY FAN, April, 1934 YOUR VIEWS "I should venture that the fascination of the weird is through a vaguely masochistic pleasure that derives delight from frightening one's self! I believe the simile is ancient that our gaze will often return to the ugliest person in a room rather than the most handsome. Perhaps it is that constant saccharine palls. I claim it is untrue that 'the beautiful, the good, is the aim of every true artist." " -- R. H. Barlow "The element of horror in a tale often makes the story; it gives you that weird, creepy sensation and cold chills. Thus, the greater those feelings affect us after, or during, the reading of the yarn, the greater we say the story is. Of course, if the horror part is too intense a nature in that it causes a continued after-effect producing nervousnous in the reader, then the virture of the use of horror may be questioned. However, strong horror can be read by strong minds, or by uncomprehending minds, without damage. It would appear, then, that it depends equally upon the reader and the quality of horror used. Horror has a certain fascination to everyone; it is a thing that seems inborn in us--perhaps it is because we try to understand subconsciously, something mysterious, just beyond the conscious cognizance of the things that are known. -- Kenneth B. Pritchard "In the horror story, one can find true beauty -- beauty that is glorified from tossing seas of blackness--shining beauty that comes with cosmic fear, lurid silence, frightful death--all this and more fascinates one's appreciation of true art. 'When people read these and say that they are distasteful to the well and normal mind' then these certain people should not read them. No one is compelling them to do such. And why do we wish to read a sinister tale of evil or monstrosities? Listen, readers! Those of us who know life and have grown tired of its futile strivings, its worries, its hard realities, (and most of us have by now) are able to forget it all by steeping ourselves with the nameless terrors and evil spawns of that 'darkness visible'." -- Robert Nelson "As to the virtue of horror stories, one might ask what virtue there is in any yarn? What are we looking for in a story?--mental relaxation, thrills, morals, spine chills, or what have you. Certainly, they are different from the usual run of blood and thunder, hero stuff. They are also something to think about after reading. We read them again to feel the effect of the words once more. I dare say that the average story one reads is enjoyed while being absorbed, then forgotten. I am probably wrong, but pass over it. The point is, we read horror tales because we like them." -- Duane W. Rimel "Aren't most tales that are weird and fantastic a bit horrifying? Consider the strange beings around which the tale is woven--incomprehensible monsters, neither animal nor reptile ;strange man-things bearing only a resemblance in bodily structure, but too warped to be human. I can see no virtue in them, except that when I finish the story and (continued on page 127)
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124 THE FANTASY FAN, April, 1934 YOUR VIEWS "I should venture that the fascination of the weird is through a vaguely masochistic pleasure that derives delight from frightening one's self! I believe the simile is ancient that our gaze will often return to the ugliest person in a room rather than the most handsome. Perhaps it is that constant saccharine palls. I claim it is untrue that 'the beautiful, the good, is the aim of every true artist." " -- R. H. Barlow "The element of horror in a tale often makes the story; it gives you that weird, creepy sensation and cold chills. Thus, the greater those feelings affect us after, or during, the reading of the yarn, the greater we say the story is. Of course, if the horror part is too intense a nature in that it causes a continued after-effect producing nervousnous in the reader, then the virture of the use of horror may be questioned. However, strong horror can be read by strong minds, or by uncomprehending minds, without damage. It would appear, then, that it depends equally upon the reader and the quality of horror used. Horror has a certain fascination to everyone; it is a thing that seems inborn in us--perhaps it is because we try to understand subconsciously, something mysterious, just beyond the conscious cognizance of the things that are known. -- Kenneth B. Pritchard "In the horror story, one can find true beauty -- beauty that is glorified from tossing seas of blackness--shining beauty that comes with cosmic fear, lurid silence, frightful death--all this and more fascinates one's appreciation of true art. 'When people read these and say that they are distasteful to the well and normal mind' then these certain people should not read them. No one is compelling them to do such. And why do we wish to read a sinister tale of evil or monstrosities? Listen, readers! Those of us who know life and have grown tired of its futile strivings, its worries, its hard realities, (and most of us have by now) are able to forget it all by steeping ourselves with the nameless terrors and evil spawns of that 'darkness visible'." -- Robert Nelson "As to the virtue of horror stories, one might ask what virtue there is in any yarn? What are we looking for in a story?--mental relaxation, thrills, morals, spine chills, or what have you. Certainly, they are different from the usual run of blood and thunder, hero stuff. They are also something to think about after reading. We read them again to feel the effect of the words once more. I dare say that the average story one reads is enjoyed while being absorbed, then forgotten. I am probably wrong, but pass over it. The point is, we read horror tales because we like them." -- Duane W. Rimel "Aren't most tales that are weird and fantastic a bit horrifying? Consider the strange beings around which the tale is woven--incomprehensible monsters, neither animal nor reptile ;strange man-things bearing only a resemblance in bodily structure, but too warped to be human. I can see no virtue in them, except that when I finish the story and (continued on page 127)
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