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Tess Catalano "Take Back the Night" and other academic essays, 1982

"Dear Mootoe, Boo and Nickie" Page 2

page two  : tess to the kits 

bred manners. Please don't feel you must leave a tiny morsel for the cook. I am sure that your intentions are good but they in fact have a revolting consequence. 
   Could you cast your manners aside and more meticulously lick your dishes clean? You would get a little extra morsel of food, and I would be spared the devastating sight of soaking your dishes in the evening. 
   Here's to a future of cooperative living. 

Lovingly, 
Tess

[handwritten]
Whether or not it was a deliberate re-arrangement, the order in which you clipped the three parts of the assignment made for a more "logical" (if that term fits the whimsical premises!) sequence. In this last section (Pt. B), we're introduced to the cats who have been hovering in the background of the other two sections. Here, too, most of the tonal features of the other writings are most fully developed the somewhat quaint formality is contrasted with the half-cozy, half-disciplinary tone of the appeal. 
There is a certain regularity to your use of dependent clauses, which you then counteract with a series of declarative sentences particularly strengthened by the gesunds ("Feeding... has " "Hearing... warms") While you use serial constructions fairly

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page two : tess to the kits bred manners. Please don't feel you must leave a tiny morsel for the cook. I am sure that your intentions are good but they in fact have a revolting consequence. Could you cast your manners aside and more meticulously lick your dishes clean? You would get a little extra morsel of food, and I would be spared the devastating sight of soaking your dishes in the evening. Here's to a future of cooperative living. Lovingly, Tess [handwritten] Whether or not it was a deliberate re-arrangement, the order in which you clipped the three parts of the assignment made for a more "logical" (if that term fits the whimsical premises!) sequence. In this last section (Pt. B), we're introduced to the cats who have been hovering in the background of the other two sections. Here, too, most of the tonal features of the other writings are most fully developed the somewhat quaint formality is contrasted with the half-cozy, half-disciplinary tone of the appeal. There is a certain regularity to your use of dependent clauses, which you then counteract with a series of declarative sentences particularly strengthened by the gesunds ("Feeding... has " "Hearing... warms") While you use serial constructions fairly