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Keith-Albee managers' report book, June 13, 1910-February 20, 1911
Page 214
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B.F. Keith's Hippodrome Jan 23 1911 Cleveland Ned Hastings. ZARA CARMEN TRIO. F.S. specialblack push cyclorama. 2 men, 1 woman. Time 8. Hoop rolling and baton juggling. A pleasing act. EDDIE MACK AND DOT WILLIAMS. Time 14. Open in 1, close in 2. They sing and dance. Miss Williams has a "baby" voice which she uses to advantage in some "kid" impressions. Mack is a fair dancer. Average act. LONEY HASKELL. Time 20. In 1. Monologuist who in spite of the fact that he frequently used very old material scored heavily. AGNES SCOTT and HENRY KEANE. Time 16. F.S. special and very attractive orchard setting. This is a dainty and etherial little impression requiring great skill to handle. It is a very romantic little flirtation giving Miss Scott a chance for a couple of songs. Very well done and highly appreciated. GLADYS CLARK AND HENRY BERGMAN. In 2 special, showing exterior of base ball grounds. Time 18. A song and dance skit in which abundant base ball jests are introduced. Went very well. RAY COX. In 1. Singing comedienne. Time 22. One of the big hits of the show. Her material is new here and very clever. MARSHALL MONTGOMERY. In 1. Time 20. Here is a remarkable ventriloquist who can put more "life" into a "dummy" than any man I have ever seen. He kept the audience applauding throughout. His "ventriloquial whistling" a novelty. CHRISTY MATHEWSON, "CHIEF" MEYERS and MAY TULLY. P.S. Special exterior. Time 25. "Curves". While this sketch is presumed to have been built for "base ball fans" there is much of interest to anyone who knows nothing about the game. The "fans" in the audience went wild with delight. Miss Tully has several excellent interpolations which she gives with her rare talent. The affair winds up with a broad burlesque which is very funny. PHOTOPLANE DAYLIGHT MOTION VIEWS.
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B.F. Keith's Hippodrome Jan 23 1911 Cleveland Ned Hastings. ZARA CARMEN TRIO. F.S. specialblack push cyclorama. 2 men, 1 woman. Time 8. Hoop rolling and baton juggling. A pleasing act. EDDIE MACK AND DOT WILLIAMS. Time 14. Open in 1, close in 2. They sing and dance. Miss Williams has a "baby" voice which she uses to advantage in some "kid" impressions. Mack is a fair dancer. Average act. LONEY HASKELL. Time 20. In 1. Monologuist who in spite of the fact that he frequently used very old material scored heavily. AGNES SCOTT and HENRY KEANE. Time 16. F.S. special and very attractive orchard setting. This is a dainty and etherial little impression requiring great skill to handle. It is a very romantic little flirtation giving Miss Scott a chance for a couple of songs. Very well done and highly appreciated. GLADYS CLARK AND HENRY BERGMAN. In 2 special, showing exterior of base ball grounds. Time 18. A song and dance skit in which abundant base ball jests are introduced. Went very well. RAY COX. In 1. Singing comedienne. Time 22. One of the big hits of the show. Her material is new here and very clever. MARSHALL MONTGOMERY. In 1. Time 20. Here is a remarkable ventriloquist who can put more "life" into a "dummy" than any man I have ever seen. He kept the audience applauding throughout. His "ventriloquial whistling" a novelty. CHRISTY MATHEWSON, "CHIEF" MEYERS and MAY TULLY. P.S. Special exterior. Time 25. "Curves". While this sketch is presumed to have been built for "base ball fans" there is much of interest to anyone who knows nothing about the game. The "fans" in the audience went wild with delight. Miss Tully has several excellent interpolations which she gives with her rare talent. The affair winds up with a broad burlesque which is very funny. PHOTOPLANE DAYLIGHT MOTION VIEWS.
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