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J. HERZBERG 132
"multimedia" referred technology, Breder changed the name of the program to the Intermedia and Video Program]
13 Breder, "Intermedia: Enacting the Liminal," p. 114.
14 General Catalog 1970-1972 (Iowa City: University of Iowa, 1970), p. 18.
15 Dennis Swanson. written communication, 21 April 1997. Swanson studied in the program from fall 1970 through spring 1972. He received an M.A. in sculpture in January 1971 and an M.F.A. from the Writer's Workshop in January 1972. Although he completed the course requirements for an M.F.A. in Multimedia, he did not complete three hours credit requirement. He was Breder's teaching assistant for Multimedia I from fall 1971 through spring 1973 and a CNPA associate in performance from fall 1971 through spring 1973.
16 General Catalog 1972-1974, p. 34: General Catalog 1974-1976, p. 40.
17 Ibid., pp. 34, 40.
18 Mel Andringa, telephone interview. 6 October 1994.
19 Hans Breder, personal communication, 15 November 1993. Breder also elaborates his teaching methodology in "Intermedia: Enacting the Subliminal," p. 116.
20 Mel Andringa, telephone interview, 6 October 1994.
21 Dennis Swanson, telephone interview, 28 July 1995.
22 In my interview with former students, most of them remember reading Art Forum and Avalanche on a regular basis.
23 Breder, telephone conversation, 21 July 1995. One of several books Breder remembers talking about at the time was Alexander Dorner's The Way beyond Art (New York: New York University Press, 1958.)
24 Although the School of Art had had a tradition of inviting artists to give workshops, the new funding for CNPA made it possible for that program to invite a greater number on a regular basis than had been possible before.

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J. HERZBERG 132 "multimedia" referred technology, Breder changed the name of the program to the Intermedia and Video Program] 13 Breder, "Intermedia: Enacting the Liminal," p. 114. 14 General Catalog 1970-1972 (Iowa City: University of Iowa, 1970), p. 18. 15 Dennis Swanson. written communication, 21 April 1997. Swanson studied in the program from fall 1970 through spring 1972. He received an M.A. in sculpture in January 1971 and an M.F.A. from the Writer's Workshop in January 1972. Although he completed the course requirements for an M.F.A. in Multimedia, he did not complete three hours credit requirement. He was Breder's teaching assistant for Multimedia I from fall 1971 through spring 1973 and a CNPA associate in performance from fall 1971 through spring 1973. 16 General Catalog 1972-1974, p. 34: General Catalog 1974-1976, p. 40. 17 Ibid., pp. 34, 40. 18 Mel Andringa, telephone interview. 6 October 1994. 19 Hans Breder, personal communication, 15 November 1993. Breder also elaborates his teaching methodology in "Intermedia: Enacting the Subliminal," p. 116. 20 Mel Andringa, telephone interview, 6 October 1994. 21 Dennis Swanson, telephone interview, 28 July 1995. 22 In my interview with former students, most of them remember reading Art Forum and Avalanche on a regular basis. 23 Breder, telephone conversation, 21 July 1995. One of several books Breder remembers talking about at the time was Alexander Dorner's The Way beyond Art (New York: New York University Press, 1958.) 24 Although the School of Art had had a tradition of inviting artists to give workshops, the new funding for CNPA made it possible for that program to invite a greater number on a regular basis than had been possible before.